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Staking out my aesthetic

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I was in Chicago with time on my hands and the sweet woman murmured to me -- you know how this goes -- "Would you like to see the Art Institute?" and I was thinking No No No God No, and I said, "Sure. Fine." "You wouldn't rather do something else?" she said. "No," I replied. That's the correct answer when a woman asks you about art. Yes, absolutely, ma cherie.

What I'd rather do is watch a couple of welterweights whale on each other for 10 rounds or a lanky blonde dance as she peels off her long white gloves and unsnaps her garter, but it's 10 a.m. on a Tuesday, so into the citadel of art we go.

I've been here before. The sweet woman loves galleries and French impressionists and the sunny gardens of Pierre Bonnard. While looking at them, she is likely to say something about color and texture. But I am an American man and color and texture are not my strong suits. And so I staked out my aesthetic at the start. I said, "I see no reason to paint flowers. You can buy fresh flowers. Still lifes are only an exercise. And abstract expressionism is for the lobbies of big insurance companies. The true calling of an artist is to paint women and the greatest challenge is the naked female form. That's what separates the true artists from the wallpaper-hangers."

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